To develope more in depth and graphic images in the future and now which reveal details unseen by the naked eye and current image analysis systems I developed a simple but effective technique called Angular Filming or technically Spectographic Infared Angular Filming Image processing. Evidence to my theory and work can be seen in the discovery clips of the Vatican Veronica Veil 2011...alive face of Christ about to be crucified and the back of the Turin Shroud image known as the second face 2013 where I revealed a resurrected Christ with both eyes open.
By separating the colours of the light spectrum by filming inbetween angles of a negative film image details unseen by the eye or normal scanning devices appear. The process was discovered and developed by myself in 2009. Negative film can be explored to reveal incredible detail which the camera lense captures and this can be achieved simply by utilising a laptop lcd screen.
Using the Vatican Veronica as an example we tilt the image of the laptop screen about 45 degrees and photograph it. We then photograph the new image again tilted further. After 3-4 of these angular filmings a positive is revealed of what can be seen at www.veronica-veil.com
The ability to film inbetween light angles from a negative image or any image allows the user to be able to magnify images and details. The tilting back of the screen changes the colour which is caused by altering the light angles which the eyes or camera viewing lense see. When the light angles are altered viewing invisible details becomes possible.
The technique will be developed in the future to allow cameras to film in angles to help us see better images in astronomy and medical research. I have already worked on carbon electrons revealing strange auras internally and externally , a comet asteroid which only appeared as a bright white light but afterwards when processed the actual shape internally was revealed. Have commenced using the technique on medical xray images but would need to work with a radiographer to develope this futher.
(C) 2009 Vincenzo Giovanni Ruello
